Fumbling towards Beatitude

By John O'Brien, S.J. (with apologies: it's a somewhat longer homily-essay) This evening we celebrate the vigil of Christmas. It is a Mass that is different from the Midnight Mass to be observed later tonight or the Christmas morning Mass tomorrow. All three Masses are different and have different readings. If you are a spiritual diehard, you can attend all three and derive different intellectual and spiritual benefits; but if this present Mass, the Vigil, is the only Christmas Mass you are attending this year, you are fortunate to have heard one of the significant Gospels in the Church calendar year: Matthew’s genealogy, which ends with the dream of Joseph. You know the story: the Angel of Lord tells Joseph not to be afraid to take Mary as his wife, for against all odds of probability, she has conceived her child by the Holy Spirit, and that they are to name him Jesus, for he will save his people from their sins. Matthew, whose Gospel was written primarily for

On this second Sunday of Advent we hear the opening lines of Mark’s Gospel. Mark is believed to have been the secretary of Peter and Paul and wrote his Gospel in the year 70 from Rome. A writer. some say, will put his most important idea in the first line of his text. Here the first line is “The beginning of the good news of Jesus Christ, Son of God.” Mark is telling us what his whole Gospel is about: that there is something new to know, and it is profoundly good. So what is the evangelion, the good news of Jesus Christ, anyway? The Jews experienced exile for much of their history. And now, although they were in their homeland, they were under the occupation of the Romans. Israel is waiting for a messiah to restore her to her true mission and identity of being "a light to the nations". "A people who walked in darkness have seen a great light". Mark’s news is that Jesus Christ is the messianic figure they have been waiting for. But the enemy, says Mark, is not

For a period of six years, 1957-1963, Canadian artist William Kurelek gave himself the task of painting the story of the passion, death, and resurrection of Jesus Christ. Nobody, to our knowledge, had ever painting a Gospel sentence by sentence, and the finished series consisted of 160 paintings, called The Passion According to Matthew . A  book  was published in 1975 (now out of print), whose images I contemplated when I was growing up. Kurelek went to the Holy Land to research the project, and painted steadily, on average completing one painting per week. The paintings would be purchased by the Niagara Falls Art Gallery , a small exhibition space not far from the falls, where they have remained ever since. The gallery is easy to find, but only open for certain restricted hours. I had always wanted to see the paintings, and finally made my pilgrimage last week. The artist honoured the gallery by making a sketch of its exterior that appears the book: Most of the major exhibi